The concept of transcendence is beautifully portrayed by the romantic poet. Through this poem Yeats openly expresses his inner feelings of becoming an artifice. With passing age Yeats attachment with the spiritual and artistic ideal increased more rapidly. Byzantium, a Greek colony which later grew into Constantinople, a city of Istanbul was the dream place of Yeats and according to him it was the place where spirit and souls could rest and feel secure.
Sailing to Byzantium allows Yeats a form of expressionism and escapism. This poem is admired for its innovative and evocative imagery which clearly enhances Yeats ideas on the earthly realm and his desire for spiritual redemption. The opening lines of the poem. That is no country for old men. Through these lines Yeats clearly exhibits his idea that the country where he lives is actually composed of bodily love and it is no more a place for old men.
The words old and young show binary between his past and present. He wants to live in past. By those generations he refers to the life cycle of humans, birth and ultimately death. According to his point of view all humans are slaves to this rotating spin wheel of life cycle which ultimately subjects to human death.
In these lines Yeats talks about the beauty of earthly things which attract humans and keeps them attracted to this mortal world. He talks about the sensible beauty that how it takes off one from the true path to the transcendental realm.
An aged man is but a paltry thing, A tattered coat upon a stick, useless Soul clap its hands and sing, and louder sing. As it is indicated in the first stanza that the old man no longer wants to live with young ones and he wants to escape their world and live in isolation, the second stanza completes his journey of aging process. Words like Paltry thing depicts Yeats idea of mortality and reason for his desire to escape this mortal worldly life. A tattered coat upon a stick, useless emphasize on his age and therefore he wants to escape this world.
Through this imaginative and spiritual drive Yeats want to move beyond the binaries and pleasures of earthly beauty. And that why he wants to visit the holy city of Byzantium as he states in the last line of stanza two. As it is clearly mentioned in this poem that for Yeats Byzantium is holy city of peace, harmony and unity and this journey of Yeats is an imaginative journey not the actual one.
A journey of his inner-self which could satisfy his imagination and soul. When the speaker moves into a type of contemplative mood, his decisions seem a lot superior than they were in reality.
It is virtual as if he is daydreaming about his following life. In these lines, our speaker rejects the natural world and indicates to recreate himself in a memorable golden fowl method. He picked this method possibly because the fowl symbolizes the soul and it sings significantly as the ordinary birds presented in the first stanza. Placed in a golden bush, our fanciful speaker has entirely transformed himself into a piece of art that shall not decay.
Up to the present time, the only known unusual way to get old is death. The speaker of Sailing to Byzantium does not accept that preferring to avoid death and seize the mental power that he has gathered during his life right into eternity. So as to do this, the speaker has imagined a situation that one can navigate to where passing away is not a factor, in which someone has the ability to keep living and growing further from nature.
To the extent that it presents listeners that human life is composed of two dissimilar elements, the mental and the physical, the intellect and natural, Sailing to Byzantium is based in reality. However, it has to move outside reality to provide one of these elements a life that is autonomous of the other. However, critics discover his own Byzantium tough to accept since it is too remote from reality.
An important and vital idea in Sailing to Byzantium is how age affects all living phenomena, making them decelerate and lose their natural stamina and eagerness. This poem also remarks on how humans achieve mental powers as physical aptitude slips away. The images utilized in the first stanza is generally suggestive of duplicate and imitation. Our poet uses reproductive pictures as the supreme influential symbol of youth. On the one hand, the idea is to create benefits of being young. On the other, the young, as well as the aged, have to form different standards for themselves.
By showing equivalent balance to both primary and aged life, W. Yeats is examining the effects of age from a broader perspective. A house is a thing found in this world; however, an artistic work, for instance, a house painting, is not present except in the human mind. In the final stanza of the poem, our poet, Yeats, offers his listeners a similar illustration, but instead of a house, he uses a birdie made of gold, which will by no means slow down or become feeble and certainly not die.
Evaluators have stated that such a point might be a humble instance for Yeats to apply since the gold fowl is still displayed after a thing of nature. It inspects the conflict between two contrasting elements of life, young and elderliness through a model of a journey seeking spiritual awareness and experience.
The resolution to such conflict is making an object that appears to represent both the natural and spiritual realms. This poem tells the song of the fading generations and the immutability of the artistic method together, which is the basis of the concept of art for Yeats.
Some critics might say that the speaker of Sailing to Byzantium is an old bloke between two realms that possess all but rejected him. Now he wishes to repossess in a fresh, different mode by becoming a portion of a pure originality realm where the fleshly is changed into eternality.
The poet, between the two domains, seeks to amalgamate them into one of his personal identities. The speaker in this poem has transformed the negative side of time into a positive one of permanency. Besides, every source of skirmish is resolved during the positive side. The aged has developed to be ageless; the point is the same with powerlessness, which has exchanged for a sophisticated power.
In Sailing to Byzantium, the aging speaker seeks rebirth in an antique metropolis. Yeats hoped that his verse might survive on after his passing away. The speaker is an aging man contemplating a sort of retirement. The poet, Yeats presented nothing unique or unfamiliar, in terms of his private pictures, in Sailing to Byzantium ; the voyage to the other world and the soul as a birdie is very typical in his work, and even the city of Byzantium as a realm of art can be a symbol wisely defined in another place.
The target, Byzantium, probably originated at least since B. Lastly, from the fourth to the fifteenth century and then on, the city became a main Islamic and multicultural center with its new name Istanbul. While concerned in a literal drop in on to twentieth-century Istanbul as the main center of remaining art treasures from ancient Byzantium and Constantinople, the speaker is more eager to visit back in time.
That is the motivation Yeats uses Byzantium to attract attention to its elongated history. Sailing to Byzantium tells learners about a bloke who mentally feels past his prime age and sails off to a land in which emphasis is not on the corporeal achievements of an individual where he finds increasingly difficult for his getting old body.
To signify such land of the mind, the poet uses Byzantium that was once the principal city of the eastern Roman Empire, approximately between and , outliving and making Rome survive for hundreds of years.
The motive that the poet might have thought such a real city could be used to epitomize a haven for the elderly is able to be found in one of his previous literary works such as A Vision. Yeats and his wife. Our poet had been a student of otherworldliness and the supernatural from the time when his late teens. He was an establishing constituent of the Dublin Hermetic Society.
Yeats and his wife held more than four hundred sessions of automatic writing, producing nearly 4, pages that he avidly and patiently studied and organised. From these sessions, Yeats formulated theories about life and history.
He created a complex system of spirituality, using the image of interlocking gyres similar to spiral cones to map out the development and reincarnation of the soul. Yeats believed that history was determined by fate and that fate revealed its plan in moments when the human and divine interact. He published his intricate theories of personality and history in A Vision in which he substantially revised in , and some of the symbolic patterns gyres, moon phases with which he organised these theories provide important background to many of the poems and plays he wrote during the second half of his career.
Magic, myth and secrecy - WB Yeats and the occult. Expand Expand. WB Yeats's 'A Vision'. Facebook Twitter Email Whatsapp. May 08 PM. Facebook Twitter Email. Video of the Day. Members of down Syndrome community intimidate All Blacks with their own haka.
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